Collage

Collage
From Here To There

Portfolio & Bio

Wednesday, April 5, 2017

New Territory

When we are inspired, when we see a piece of art that draws us closer, it's important to take note of what it is that grabs hold of us. Is it color, subject, medium, technique; always be aware. Where can your discoveries take you?




UNM Continuing Education: Monotypes: Creative Printmaking Without a Press

Tuesday, January 10, 2017

The Home Stretch

Years in the making, yes, years. I dated it in light pencil printed in the margin; September 24, 2013. It's been keeping me company over the years, through printmaking classes; through my mothers...and fathers stay in hospitals; through seasons of camping in El Morro and vacationing in Croatia. Several incongruities about this piece. First, it's a watercolor. I left watercolors behind me when I moved towards oils. Every once in a while when inspired by someone elses work I'll bring them out. Secondly, it's 18" x 24". In my studio, that's almost mural sized. I lean towards smaller pieces. Lastly, it's a landscape, I indulge in still lives, so I can count on my hand how many I may have done. With that said, it's coming to an end, in the home stretch, not soon enough, a battle of wills, I won't give up now!

Resilience

Sunday, October 16, 2016

Moving Forward




Venturing ahead with the freedom and exploration of monotypes. The alter ego to my detail oriented paintings. Like stretching exercises, fast, spontaneous; they expand creativity and a world of possibilities.

Sunday, January 20, 2013

Following Through



I began this piece with only the inspiration. Water, reflection, transparency. It sometimes feels as if it will never be done, but I continue to work towards its completion. All of a sudden I'll stand back and realize it doesn't need another stroke and claim it finished... at least until the next day.

Pastel on panel 16 x 20

Saturday, December 22, 2012

The Gift of Teaching

I’ll admit the time invested into preparing, arranging, setting-up, gathering materials, and creating lesson plans, far outweighs the ‘class-hour’ wage one gets for doing a continuing education class, but let me say that the energy, enthusiasm, and generosity of the people that attend my classes are priceless rewards. It is also what makes me keep coming back to teaching. My last class of women at UNM this fall semester was outstanding. They contributed their voice, creativity, and an awful lot of humor to each session. I look forward to meeting up again with them in the future where we can continue on in our creative journey.


           

Michele: Map making                                            







                                                     Cathy: Mandalas             

 

Linda: Color, Shape, Form                    


                                           Debbie: Illuminated Letter.

                       

Creative Journal Arts

Monday, September 10, 2012

"In the Works"

 

I haven't touched watercolor in a long time. It once was my primary medium but then I moved on to oils. I'd use watercolor to do onsite studies but it was not until recently that I wanted to challenge myself to do a major watercolor piece. What you see here is a work in progress, well on its but not quite complete

Sweet Infinity

11 x 14

Tuesday, April 3, 2012

The Final Touch

Never to be taken lightly, framing the work needs careful consideration. In the case of the miniature exhibition, there were also restrictions that needed to be adhered to and guidelines to follow. A frame is the finishing touch and often is as much of the final work as the painting itself. The frame gives the work character and different frames will make different statements about it. So choose carefully, don’t rush the process. Plan ahead. Think about the qualities of the frame while planning out the work.